About dadaism.

dadaism From Dada Manifesto [1918] and Lecture on Dada [1922], translated from the french by Robert Motherwell, *Dada Painters and Poets*, by Robert Motherwell, New York, pp. * in that location is a literature that does non reach the voracious mass. It is the expire of creators, issued from a real necessity in the author, produced for himself. It expresses the knowledge of a dogmatic egoism, in which laws wither away. Every page moldiness explode, either by profound heavy seriousness, the whirlwind, poetic frenzy, the bare-assed, the eternal, the annihilating joke, earnestness for principles, or by the way in which it is printed. On the unity hand a tottering earthly concern in flight, affiance to the glockenspiel of hell, on the other hand: new men. Rough, bouncing, move on hiccups. Behind them a crippled world and literary quacks with a mania for improvement. I say unto you: on that point is no generator and we do not tremble, we are not sentimental. We are a furiou s Wind, tearing the dirty linen of clouds and prayers, preparing the great spectacle of disaster, fire, decomposition.* We provide put an end to mourning and interchange tears by sirens screeching from one continent to another. Pavilions of knifelike joy and widowers with the melancholy of poison. Dada is the signboard of abstraction; denote and business are also elements of poetry.

I destroy the shorts of the brain and of social musical arrangement: spread demoralisation wherever I go and gag my hand from paradise to hell, my eyes from hell to heaven, restore the rich wheel of a universal circus to objecti ve forces and the inclination of every indi! vidual. doctrine is the question: from which side shall we look at life, God, the brain or other phenomena. Everything one looks at is false. I do not consider the relative result more important... If you desire to touch on a full essay, order it on our website: BestEssayCheap.com

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